3 “Feminist, Marxist, historical novelist, social comedian, teller of fairy tales-she was all these, and none of them to a degree that would ultimately define her,” Eleanor Perényi notes. “Each of her novels is an unprecedented world,” David Carroll Simon has observed, “and each of them looks, at first glance, as if it were written by a different author.” 2 Warner’s diverse achievements as a poet, biographer, translator, and “story-storyist” make her even more difficult to categorize. The versatility that makes Warner’s works so various and unpredictable has also made them difficult to brand and package for the marketplace. Warner suspected that her leftist politics caused her to be sidelined by the critical establishment, 1 whereas others attribute this neglect to the sexism that has obscured much writing by women in the twentieth century. Unfortunately the present survey is obliged to echo this refrain, because no full-length critical study of Warner’s work has appeared to date.

Most scholarship on Sylvia Townsend Warner begins with a kind of ritual lament about the critical neglect that has condemned her writing to obscurity. Keywords: Sylvia Townsend Warner, Warner, feminism, Marxism, poem, novel, story, short stories The present article looks at key critical responses to Warner’s work by such writers as Jan Montefiore, Jane Marcus, Gillian Beer, Jean-Jacques Lecercle, and Mary Jacobs. Warner published thirty-six books during her lifetime, in addition to four posthumous collections of poems and short stories at least 154 short stories published in the New Yorker her diary, published by Chatto and Windus in 1994 several volumes of correspondence a revised and expanded edition of her poems her translation of Marcel Proust’s critical writings in By Way of Sainte-Beuve and a volume of previously uncollected writings, With the Hunted, which includes many short pieces previously published in the Journal of the Sylvia Townsend Warner Society. Described by Eleanor Perényi as “feminist, Marxist, historical novelist, social comedian, teller of fairy tales,” Warner has received scant critical attention, in stark contrast to her remarkable productivity. This article reviews some important recent contributions to the belated recovery of the work of English novelist and poet Sylvia Townsend Warner.

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